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LG-55LW5600-Stereoscopic-Display-Tiger

2011/09/13
by Sean
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Stereo displays: passive, active or neither?

Stereoscopic 3D for home has been surrounded in controversy, since this first active shutter displays started to appear. Now, as the winter holiday season approaches, there are two types to choose between! I compare my Sony 55HX800 and LG 55LW5600, to help you choose which best suits your needs. Or, you can wait for the third option, which will probably become mainstream in 2012.

The Sony solution: Active shutter glasses

When I purchased my first 3D TV, the Sony 55HX800 with shutter glasses (active) was the most attractive option. It has a beautiful picture and solid 3D presentation. On the downside, the user interface is typical Sony — the menu to adjust convergence blocks half of the screen, so good luck using it with any accuracy when you can’t see what you want to adjust! It’s also not granular enough for fine tuning adjustments.

The glasses are good, but require batteries and have no option for USB charging. Fortunately, the batteries last a long time (claim is 100 hours which my experience says is not unreasonable). Keeping your head straight is important for the best view.

My Sony 3D video camera plays well with it too, offering a proprietary 1080i60 feed that the TV plays natively to produce a fantastically clear image.

The LG Alternative: Passive, polarized glasses

So far, the combination of bad press and lack of content for the stereoscopic industry has slowed down adoption of the new format.

LG takes a very “low tech” approach of putting a thin film over the screen, which let’s the viewer use polarized glasses (exactly the same as what you get in the theatre, so keep the ones you get, don’t give them back!).

I have both screens, sitting side by side, connected to the same nVidia video card.

Wearing the glasses is much easier than the shutters. That said, the first time I used the TV for a long period, I felt very ill. That never happened with the Sony, though it also doesn’t happen anymore with the LG. I attribute some of this, in all cases, with tuning. It takes a while to get the image looking good.

There are some downsides:

1. When you turn on 3D, you will immediately see that the film makes the screen look interlaced, resulting in a diminished resolution. When you put the glasses on, this goes away, but the image quality is not as sharp as the Sony.

2. LG also forces you into a zoomed screen (probably ~10%). You can adjust this in the nVidia display panel, but it doesn’t work quite right. So, it’s good for videos and games where you can bring in UI elements from the edges, but you’re in a tough spot for desktop applications, etc.

3. I noticed that if I sit too close, areas of the screen that are not directly in my focus look like I am not wearing the glasses. Essentially, you need to move your head vertically, depending on where you want to look. In other words, you cannot “look up” at something, you must raise your whole head. As you move further back, this effect disappears.

The big win of the LG is that it produces an image that has a more intense stereo effect.

I turned up the stereoscopic effect to 100%, in the nVidia drivers, and tried a few different 3D sources: games, movies, 2D->3D still images. For reference: with the Sony, I found 30% to be about the maximum level I am comfortable with.

The LG’s 3D was, for lack of a less used word, stunning. The image quality may not be on par with the Sony, but the stereoscopic effect is more like watching a theatrical release.

Conclusion

For computer use, the Sony 55HX800 is a fantastic display. The text is crisp and the colour reproduction is solid. It’s definitely a great device for content development.

For content consumption, the LG 55LW5600 takes the cake. Easy to use glasses and a more spectacular stereoscopic effect override the detail and colour issues of the LG. You’re getting it for the 3D, anyhow!

Epilogue

While passive and active displays duke it out for your holiday shopping dollars, the next wave is showing up in the trade show circuit.

This wave is, of course, the holy grail of stereovision: glasses-free 3D.

I’ve seen a few displays up close, too. Stereoscopic display without the glasses is pretty cool, but the lens technology I have seen creates a very obvious interlacing effect. I cannot see how this will look good for computer desktop display, but it takes us one step closer to fully immersive experience.

Sony-HDR-TD10-3D-camcorder

2011/05/27
by Sean
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Sony HDR-TD10 3D Camcorder

Since picking up the first of the Sony HDR-TD10 3D Camcorders to land in Vancouver, BC, I have carried it with me everywhere.

A few weeks into ownership and I feel it’s time for a review!

The only specs you need to know are: 64GB internal storage, SD-card slot for me. The rest is standard fare Sony camcorder, that happens to have 2 lenses.

Recording 3D Video

When I first started using the camera, I felt that I was quite often struggling with far too much parallax (the difference in angle between the two eyes). There is a manual “3D depth” override on the front of the camera, but I found it limiting and also impossible to discern within the camera’s viewfinder.

I soon discovered a parallax “button” that (sometimes?) appeared on the right side of the display (looks like two circles side-by-side above the word RESET, in a box). Pressing this before each shot helped, but was not the perfect answer.

Only after a week of fiddling did I discover a small button that appears in the bottom right corner. It leads to an “Intelligent Auto” page, which I sent to “On.” Now, my live shooting looks much better in 3D. This Auto feature even automatically switches to a macro mode, which is hugely useful – as typically I find that I must stand much further away when filming than with a 2D camera.

Playback

The easiest way to review your recordings is via HMDI. I connected the camera to my Sony 55HX800 3D television, which worked beautifully for displaying the clips at their full resolution and speed. I have no idea how well it works on a non-Sony screen, though.

Once again, parallax is only adjustable in large increments, so fine tuning your convergence point and 3D depth for the best view is next to impossible. When I get it right during the recording process, it is nothing short of stunning.

If you are anything more than a casual videographer, you will want to edit your clips on a computer.

So far, I do not see a way to play the raw clips in 3D, after they are copied onto the computer. Playback with any software results in a 2D image. Even the software that comes with the Sony camcorder has no facility for displaying them stereoscopically!

The solution is in your video editing software. Adobe Premiere CS5 includes the ability to pair stereo clips. When you set up the project, select your render resolution at 1080p24, 720p60 or 720p30 and select left/right or top/bottom HALF for the 3D type. Be sure that your interlacing is turned off.

When editing, everything will look 2D, but the final render will show as the two images, placed as you set in your project settings.

Sony’s Vegas 10 has a built in tool for correcting vertical and horizontal alignment of the two frames. It’s an “effect” that you add to the clips and not obviously stated anywhere.

Whichever you use – the final output will lack the resolution and/or frame rate of your source recordings, but if done right, still produces a fine clip for upload to YouTube or home viewing.

Recommendation

I tried the Panasonic “3D-adapter” camera: It was horrific.

I recorded video with my Fuji W3: Decent, but automatically stops after a short period of time.

GoPro 3D camera kit: Highest resolution, small lenses, not good for point-and-shoot.

Sony: Great resolution and picture quality, nice lenses, lots of storage and easy to use.

If you want to jump into the world of 3D video, the Sony HDR-TD10 is the way to go.

2011/03/20
by Sean
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Alice in Wonderland 3D

When I purchased my Sony 55HX800 3D Television, it included a special offer for three free Blu Ray movies: Bolt, Resident Evil: Afterlife, and Alice in Wonderland.

This is a great idea! It’s hard enough to find stereoscopic Blu-Ray movies right now, and the ones that are available are commanding $30-$40 prices! How any publisher thinks this is a reasonable amount for linear media is way beyond me. For $10 more, I can get Kinect games that have so much more replay-ability than any movie. I am so thankful for alternative sources of 3D content!

Alice in Wonderland is the first Blu Ray disc that I have played on this system. Until my freebies arrived, the Sony player that came with the Sony 55HX800 stat in the corner, collecting dust. Even when the discs finally arrived, its location stayed the same for one more day – while I acquired an HDMI cable. Unless I start buying more Blu Ray discs, these “free” movies have essentially cost me $10 each. (Yes, it’s possible to get a cheaper cable)

Overall, the 3D experience is enjoyable. The animation has obviously been rendered stereoscopically, with numerous gimmick shots to show off the technology. Unfortunately, this movie suffers from the same problem as most others: image ghosting in dark scenes.

The biggest “problem” I see in this movie is that the live action footage of human actors composited into the scenes — it appears to all be originally 2D. When sitting a good 2m or so back, the illusion is passable. Stand at arms length in front of the TV, and the illusion is quickly broken. Look at the edge between live and animated to really see the distinction.

Another side effect of the added detail that comes out of stereoscopic images is that makeup issues become very obvious. Try not to look at Crispin Glover’s face prosthetic.. the latex has definitely not been powdered enough!

Speaking of shiny, either the player or the TV must be doing some post processing to interpolate frames and give that plastic, glossy highlights look. I’ll need to do some settings manipulation and see what I can get out of that… it really makes a mess of Resident Evil: Afterlife (next time!)

For free, it’s awesome. For $40, forget it.. maybe $20? If you are a fan of this movie, it is definitely worth seeing in 3D… but it’s not the best of the three.